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Given Lemmy’s demographic we can put it like this:
If you invent an entire programming language from first principles, you’re probably pretty smart.
If you’re in a a class at uni learning C++ and you submit code written in your new language, then you’re going to fail
To break the rules you gotta first learn the rules.
That being said I remember in late high school feeling pretty frustrated because I had a good grip on the rules by now and wanted to try adding some zest to my writing.
But zest is difficult to grade, my teachers were not paid well enough to deal with ambiguity and to be honest most of them didn’t strike me as particularly imaginative in the first place.
You need to know the rules to know how to break them with intention.
Cormac McCarthy doesn’t use punctuation because he “doesn’t believe in it”. His books are terrible to read. They’re clunky, unclear, difficult to parse, and read like a middle-schoolers first try at story time. James Joyce, his inspiration, same story; I can’t even get through one chapter of anything he’s ever written.
I realize I’m in the minority when I say this, but grammar has rules for a reason. When you don’t follow the same rules as everyone else, when you don’t adhere to the reader’s expectations, that makes it more difficult for the reader, not less.
The Road is one of my favorite pieces of writing. It’s art like anything else. The lack of punctuation really made it feel raw and close to home.
I agree. I read The Road recently since it’s my wife’s favorite book and holy shit it was exhausting at times. I enjoyed the story to a degree, but the stream-of-thought writing style and unspecific grammar took me out of it. If it had been written in a more understandable prose I think I would have enjoyed it more; but would it have been as famous then I wonder
The Road is so god damn depressing that the writing style was the least of my concerns while reading
Joyce is meant to be read like poetry. It plays off the sound of the language. His stuff is genuinely awful to sit down and read, just like it would be awful to sit down and read through a collection of poetry (to me anyway). Some Authors play with language in a good way, like the way Hemingway rarely attributes dialogue and forces you to pay attention and understand why the character would say something like that. It also reads very minimalist and leaves a lot to your own imagination and voice.
If you were to take the list of all professional basketball players, and sort them by the number of free throws missed per game, you’d see the top of the list is dominated by Hall of famers.
That’s not because missing free throws makes for a good basketball player. Or even that it isn’t important in basketball to be able to make free throws. It still remains important at every level of the game! But some of the people who miss a lot of free throws were just so utterly dominant at other parts of the game that they had long successful basketball careers despite being bad at an important skill for basketball players.
Cormac McCarthy and James Joyce have a signature style, yes, but I’d argue that they’re successful despite that, rather than because of that.
Yeah, you can break the law as long as you know what it says, right?
Fuck off, you bad faith shitstain.
